Categories
Festivals Sermons Yizkor

Memory: The Golden Lacquer of Jewish Life – Second Day Shavuot 5779 / Yizkor

If I were to ask you, what are the primary features of Jewish life, what would you say?

I might argue that the glue that holds all of this together is memory: memory of our personal Jewish journeys, memory of our collective experience, memory of those who came before us. We pay attention to that last one in particular on Yizkor days, but of course our memory is always with us.

I participated in a panel last week at Rodef Shalom Congregation as a part of their annual congregational meeting. Rabbi Aaron Bisno of Rodef Shalom, Rabbi Jeff Myers of Tree of Life, Cantor Julie Newman of Tiferet, and I discussed the future of synagogues, moderated by Rabbi Danny Schiff. Rabbi Schiff’s first question was, “What is causing the disengagement from synagogues today?” Not a simple question, and of course nobody knows exactly what the answer is. But certainly we have a great challenge before us in making the synagogue “work” the way it has done in the past.

One reason, I think, that it is so much harder today to create the communal Jewish experience in synagogues is that we have become much less reflective as a society. We are so much more in the current moment than ever; the way the news cycle turns over, we hardly process yesterday’s craziness before today’s madness hijacks our attention. And that frantic pace has infected the entire range of our lives. Twitter is not a reflective medium. And I find this deeply troubling.

But Judaism, and synagogues in particular, offer us the reflective framework to reflect, if we only take it. Our tradition, which ideally infuses our lives with holiness, offers a refuge from the cut-and-thrust of life today. And we really need that refuge.

It was with great pleasure that I encountered a recent piece by New York Times columnist David Brooks that captured a beautiful metaphor for Jewish life. In it, he describes the centuries-old Japanese craft known as Kintsugi bowls. These are ceramic bowls that are hundreds of years old, but what makes them special is not the age or the design of the bowl, but that they have at some point been broken, and then the shards are put back together with the Kintsugi technique, which dates to the 15th century, and uses a combination of gold and lacquer.

Kintsugi bowl

The resulting bowl has exquisite gold veins running through it, making an otherwise-ordinary bowl unique. Every one is different; every pattern is special. As Brooks puts it,

There’s a dimension of depth to them. You sense the original life they had, the rupture and then the way they were so beautifully healed. And of course they stand as a metaphor for the people, families and societies we all know who have endured their own ruptures and come back beautiful, vulnerable and whole in their broken places.

What fascinates me about this concept is that it is very Jewish:

  • On a personal level, what is broken can be made whole again (cf. Yom Kippur). In fact, the Jewish holiday cycle reinforces over and over the idea that we are all individually broken, and that we can always seek and achieve wholeness once again.
  • From the perspective of the Jewish nation, it is our brokenness that has enabled us to continue as a people (cf. Tish’ah Be’Av). Destruction and rebuilding are an essential piece of Jewish history; our nation is conceived in emerging from slavery; the Second Temple follows the destruction of the First; the yearning for rebuilding has spurred us onward since the destruction of the Second Temple; establishment of the State of Israel followed the Sho’ah, and so forth.
  • Memory is the golden lacquer of Jewish life. What makes us unique and special is our personal and collective memories, our having been broken through loss and suffering, and then repairing ourselves with the reinforcement of remembrance.

We are not the people who shy away from brokenness. On the contrary, Judaism highlights the fragility of human life. On Rosh Hashanah and Yom Kippur, during the central Untaneh Toqef prayer of the Musaf service, we are reminded in a stream of Tanakhic and midrashic references of our frailty and our capacity to be healed once again:

אָדָם יְסוֹדוֹ מֵעָפָר
וְסוֹפוֹ לֶעָפָר
בְּנַפְשׁוֹ יָבִיא לַחְמוֹ
מָשׁוּל כְּחֶרֶס הַנִּשְׁבָּר
כְּחָצִיר יָבֵשׁ וּכְצִיץ נוֹבֵל
כְּצֵל עוֹבֵר וּכְעָנָן כָּלָה
וּכְרוּחַ נוֹשָׁבֶת וּכְאָבָק פּוֹרֵחַ
וְכַחֲלום יָעוּף

Our origin is dust, and our end is dust.
With one’s soul a person brings bread
[Jewish text compares humanity to] a broken vase
Dried-up grass and a withering bud
A passing shadow and a fading cloud
Blowing wind and blossoming dust
And like a dream that floats away.

As we recite these words on High Holidays, we acknowledge that we are as much a product of our cracks as we are our whole pieces, that the essence of life is being broken and repaired; that our brokenness makes us stronger, more beautiful, more resilient.

Leonard Cohen (zikhrono livrakhah / may his memory be for a blessing) sang, “There is a crack in everything. That’s how the light gets in.”

Montreal, May 2019

It has been speculated that Cohen was referencing here the concept, from Rabbi Isaac Luria’s kabbalistic formulation, of the shevirat hakelim, the breaking of the vessels. It’s a complicated tale, but in brief, when God created the world, said Rabbi Luria in 16th-century Tzefat, the primordial vessels (kelim) were unable to contain the light poured into them, and they shattered, casting sparks of light into the universe. Creation of the world necessitated the breaking of these vessels. The world begins with an act of brokenness, and those Divine sparks that are still out there for us to uncover are there due to that breakage.

The cracks within each of us are there for good reason – they help us see the Divine, the kedushah / holiness in ourselves and the kedushah in others.

Like the Kintsugi bowls, our lives, our personalities, are enhanced by the fracturing and repairing. We are made more beautiful by our unique flaws, and the Godly light that shines through each of us, reflected by the golden glue of memory, helps us illuminate each other and the world.

And all the more so, on a Yizkor day, a day on which we remember those who came before us, we recall that those who gave us life did so not that we should be perfect, not that we should be without flaw, but quite the opposite. Our parents, our spouses, our siblings, all those whom we remember today, their imperfections were what made them who they were, made them holy. And so too did they see the cracks in us that make us all individually, uniquely human and yet infused with Divine light.

Ladies and gentlemen, I have often remarked that we, the Jews, do death and mourning very well. Yizkor, yahrzeits, plaques, shiv’ah, sheloshim, qaddish, etc.. We have the tools with which to wrap our minds and hearts around the grief that comes with loss. We have the communal framework that enables us to support each other in times of great pain. We are awesome at reflection and remembrance.

But even more so, it is the memory of losing those whom we love most that makes us who we are. That memory is what holds the shards of our souls together, that stitches us back up, scarred from the experience, but ultimately making us stronger, more nuanced, more human, more able to perceive and reflect the holy sparks all around us.

~

Rabbi Seth Adelson

(Originally delivered at Congregation Beth Shalom, Pittsburgh, PA, second day of Shavuot 5779, 6/10/2019.)

4 replies on “Memory: The Golden Lacquer of Jewish Life – Second Day Shavuot 5779 / Yizkor”

Rabbi: Although I heard your sermon yesterday in shul, I am happy that you posted it here for proper consideration. You’ve outdone yourself yet again! Putting together the concepts of kintsugi technique, kelim in creation (and its resulting klipot) with memory and healing is so very appropos of our current plague of media-induced mental chaos. You’ve reminded us of how much work must be done. By the way, I became aware of an outstanding work of kintsugi during my project researches It was a gold-veined ceramic heart. http://blog.sevenponds.com/soulful-expressions/%E2%80%A8kintsugi-finding-beauty-in-brokenness

As a Jewish ceramic artist, broken pottery is an occupational hazard. Using Kintsugi to repair it has proven to be both practical, and a spiritual salve for the disappointment that comes in the wake of something important breaking. It has the further virtue of inspiring renewed hope and faith, that in spite of being broken, we can be beautiful and useful, not to mention wiser for the wear.

Leave a Reply to Ilene Winn-Lederer Cancel reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s